Demi Lovato Here We Go Again Album Demi Lovato Here We Go Again Songs
| Here We Go Over again | ||||
|---|---|---|---|---|
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| Studio album by Demi Lovato | ||||
| Released | July 21, 2009 (2009-07-21) | |||
| Recorded | Feb–April 2009 | |||
| Genre | Pop rock[i] | |||
| Length | 46:l | |||
| Label | Hollywood | |||
| Producer |
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| Demi Lovato chronology | ||||
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| Singles from Hither We Go Again | ||||
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Hither We Go Again is the 2d studio album past American singer Demi Lovato. Information technology was released on July 21, 2009, through Hollywood Records. Different their previous album, Don't Forget (2008), Lovato did not interact with the Jonas Brothers, as they wanted to work with different people and give the anthology a personal arroyo. Lovato collaborated for the album with established songwriters and producers, such as Eastward. Kidd Bogart, Gary Clark, Toby Gad, John Mayer, Jon McLaughlin, Lindy Robbins and John Fields, who produced their previous anthology Don't Forget.
Here We Become Again derives mainly from the pop stone genre,[2] mixed with influences of power pop, jazz-pop, soul and pop.[three] [4] Lovato described the album as more than "relaxed" than their previous album, while exploring more mature sounds and lyrics. Critical reception of the album was positive; critics praised Lovato for non relying on vocal manipulations and instead showing off their natural ability. Although some critics called the anthology catchy, others felt that information technology was predictable and at times as well much alike Kelly Clarkson. In the United States, the album debuted at number 1 on the Billboard 200 selling 108,000 copies during its first week of release, becoming the 8th solo creative person to nautical chart on the Billboard 200 nether the historic period of 18.[five] Since its release, the anthology has sold over 500,000 copies in the United states, and has been certified Gilded by the RIAA.[6] Internationally, the album peaked inside the height 40 on charts in Australia, Brazil, Canada, Hellenic republic, Mexico, New Zealand and Spain. It was certified platinum in Brazil.
"Here We Get Over again" was released equally the atomic number 82 single from the album on June 23, 2009, and was Lovato'southward first solo single to reach the height 20 on the Billboard Hot 100, peaking at number 15, and has been certified platinum by RIAA. "Call back December" was the 2d and concluding single just in Europe on January xviii, 2010. To promote the album and their debut effort, Lovato embarked on their first concert bout, entitled Demi Lovato: Live in Concert.
Background [edit]
Lovato was discovered by the Disney Channel during an open call audition in their hometown of Dallas, Texas and made their debut on the short series As the Bell Rings in 2007.[7] They subsequently auditioned for a role on the television series Jonas, just did not get the part.[seven] Instead, they received the main role in the television picture show Camp Rock later on singing for the network executives.[7] Later, they auditioned for a role on the series Sonny with a Chance, which they also received.[8] Lovato enlisted the Jonas Brothers, their Campsite Rock co-stars, to work with them on their debut studio anthology, Don't Forget (2008).[ citation needed ] The writing began during filming of Campsite Rock in 2007 and continued on the ring's Look Me in the Optics Tour in 2008.[viii] [nine] Lovato wanted to establish themselves as a musician with the album, and not being known every bit just "the person from Camp Rock."[eight] They said that their goal was to have fun on the album and that they would tackle deeper themes on their sophomore endeavour.[ten]
The album was released in September 2008 and debuted at number two on the Billboard 200 chart.[xi] Lovato recalled the experience, "It was like, O.One thousand., y'all've done it. Yous're no longer just succeeding because you're in a film with the Jonas Brothers. These people bought your music for y'all."[7] Subsequently in February 2009, Lovato's commencement headlining sitcom, Sonny with a Chance, premiered on Disney Channel.[seven] Don't Forget was certified Gold by the Recording Industry Association of America (RIAA)[12] and spawned three singles, "Become Back", "La La Land", and its championship track "Don't Forget".[7] In Jan 2009, Lovato announced to MTV News that they had already begun writing songs for their second studio album, as well as revealing its approach: "It'due south going to take a dissimilar sound, and then hopefully it goes over well. I sing a lot of rock, but this fourth dimension I desire to do more John Mayer-ish type of songs. Hopefully I can write with people similar him. I dear his music — it would exist amazing."[13]
Development [edit]
In February 2009, Lovato started to work on and record their second anthology, right later filming the beginning season of Sonny with a Chance. In Apr 2009, Lovato explained about the album'southward process and collaborating with songwriters from the album including Jon McLaughlin and The University Is... lead singer William Beckett.[14] According to Lovato, the anthology'southward writing process was nearly finished in just ii weeks, noting that they "basically went from total time acting mode to full fourth dimension album mode".[14] Equally they wanted to accomplish more "John Mayer-ish type of songs",[xiii] they contacted Mayer'due south management in order to collaborate with him, citing him as 1 of their biggest musical influences.[xv] Mayer accepted the offer, of which Lovato said, "I was completely shocked [that he said yes]. It was more of a pipe dream. I didn't e'er think it would be a reality, but it came truthful. He was taking a take chances on working with a younger artist in the pop realm."[15] The two wrote three songs together, "Globe of Chances", "Love is the Respond" and "Shut Up and Love Me".[15] [16] Lovato said that it was intimidating to piece of work with him as they were worried that he would not like their lyrics, and they would get "super excited" whenever he complimented them.[17] "World of Chances", the commencement song Lovato and Mayer wrote, was the only of these songs to make the album'due south final cut.[16] The song was inspired by Lovato'southward first experience of beloved and heartbreak.[eighteen]
Lovato collaborated with Beckett on a song titled "For the Dearest of a Girl". Although not planning to write a personal vocal, a "actually long talk" with Beckett resulted in the song existence written.[16] The song chronicles Lovato's relationship with their estranged birth father, who left the family when they were two years old.[15] In the song, they plead with their father to "put the bottle downwards" and questions him: "How could you put your hands on the ones that yous swore yous loved?"[nineteen] The vocal was set to appear on the album, but Lovato and their management felt of the song'south subject would be too much for their young audience and later was removed from the anthology.[7] [18] In an interview with Women'southward Wear Daily, they explained: "When I took a step back, I realized I wouldn't like those subjects beingness talked about in somebody else'due south abode, with a seven-yr-old and their mom."[18] Several other "emotional" songs were too put on hold.[xviii] The song later appeared on their third studio album Unbroken released in September 2011, when Lovato had left Disney Channel.[19]
Unlike their first studio album, Don't Forget, Lovato did non interact with the Jonas Brothers on Hither Nosotros Get Once again equally they wanted to see what their sound would be like without their input.[15] "They were the only people I'd ever written with. Once I wrote with dissimilar people, I wanted to go with that", they told the New York Daily News.[fifteen] They said that their kickoff album was "very Jonas" and that Here Nosotros Go Again is "a little bit more like what's coming from my center. It's more me."[8] Still, Lovato did piece of work with Nick Jonas on the song "Terminate the World".[xvi] The bulk of the album was produced by John Fields, who besides handled production on Don't Forget.[7] Other tracks were produced by SuperSpy, Gary Clark, Andy Dodd and Adam Watts.[20] "Catch Me" is the only song on the album for which Lovato received sole writing credit.[7] In an interview with The New York Times, they revealed that they wrote it in their room and that it ways more to them than the residual of the anthology.[vii]
Limerick [edit]
American popular stone singer Jon McLaughlin (pictured) was one of the many collaborators worked on the album.
Hither We Go Once more explores more mature sounds than Don't Forget,[26] with Lovato describing the projection as "more relaxed and more than mature" with a "soulful edge".[xviii] The lyrics are more than personal than on their debut album as most of it was inspired by their experiences of beloved and heartbreak.[xviii] They stated that the album does not hold a particular theme as they wanted the songs to be "just more mature, more of me".[17] The album derives mainly from the genre of pop rock.[ii] Speaking to New York Daily News, Lovato said that the anthology's musical mode includes "less rock and more mellow stuff", with a twist of R&B.[15] "Hither Nosotros Become Again" is the first track of the album was written and produced past SuperSpy. The lyrics of the song chronicle Lovato's on-off human relationship with an indecisive male child, singing that "Something about you is so addictive".[21] "Solo", the 2nd rail, was co-written by Lovato and produced past John Fields. The track is a breakup song with lyrics about self-respect.[21] "U Got Nothin' on Me", another SuperSpy production, includes influences of 1980s glam metal, in this song, Lovato reminisces a summer romance that took a tumble which takes a toll on their human relationship, merely in the end, they realize they're fine on their own.[26]
"Falling Over Me" was co-written by Lovato and Jon McLaughlin and produced by Fields. The vocal features a "hypnotic" bassline and lyrics about Lovato praying that their shell volition notice their affection: "I'chiliad hoping, I'm waiting, I'm praying you are the ane".[21] [26] According to Margaret Wappler of Los Angeles Times, Lovato's vocals in the song balance "effeminateness and strength".[27] On the fifth track, "Quiet", Lovato longs for a "communication breakthrough" in an awkward relationship, complaining that "It's also tranquillity in hither".[21] [22] "Catch Me" is an acoustic ballad with a stripped-downwards production, written by Lovato themselves.[28] The song speaks of an unhealthy love connexion, with Lovato going on even though they know "how desperately this will hurt me".[21] The 7th rail, "Every Time You Prevarication", is a vocal with jazz influences and a "jaunty '70s vibe".[3] [26] Kerri Stonemason of Billboard commented that the vocal "swings like Maroon 5's brand of radio soul". The song tells about self-respect and non putting upward with lies in a relationship.[28] "Got Dynamite" was written by Gary Clark, East. Kidd Bogart and Victoria Horn and produced past Clark. The song features "ricocheting" synthesizers and a handful popular punk riff.[one] The lyrics utilise "violent metaphors" as invitations for a boy to "blow upwardly" Lovato's defenses, with lines such as "Log in and effort to hack me" and "Kick senseless, my defenses".[21]
The ninth track, "Stop the World", was co-written past Lovato and Nick Jonas about falling in love with someone, only "people don't desire yous to".[xvi] The song includes a reference to the infamous criminal couple Bonnie and Clyde: "Like Bonnie and Clyde, let's find a ride."[21] Lovato wrote the album's tenth track, "World of Chances", with John Mayer. Co-ordinate to Allison Stewart of The Washington Post, the carol showcases the "crude grain" of Lovato's voice. The song tells about a daughter giving a boy she loves chances to fix their human relationship but keeps messing upwardly.[23] "Recall December" diverges from Lovato's usual pop rock sound into more prominent power pop and synthpop with "a bit of techno".[iii] [25] [29] In the song, they reminisce a winter romance: "I think us together / With a promise of forever."[1] [25] The twelfth and final track "Everything You're Non" was co-written by Toby Gad, Lindy Robbins and Lovato. The lyrics chronicle cocky-respect as Lovato sings "I want a gentleman who treats me like a queen/I need respect, I need love/Nothing in betwixt."[21] The first bonus rails of the album, "Gift of a Friend", was co-written and produced by Adam Watts and Andy Dodd. The song is about non being able to "pursue our aspirations or deal with disappointments" without friends.[21] The second bonus track, "So Far, So Corking", was written and produced by Aris Archontis, Jeannie Lurie and Chen Neeman and served every bit the theme vocal of Sonny with a Take chances.[3] The "stomping" power pop song is nearly chasing your dreams.[3] [21]
Disquisitional reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 65/100[thirty] |
| Review scores | |
| Source | Rating |
| Allmusic |    [iii] |
| The Arizona Republic | [31] |
| Billboard | favorable[28] |
| The Buffalo News | [32] |
| Entertainment Weekly | B−[22] |
| Houston Relate | [26] |
| Los Angeles Times | [27] |
| PopMatters | v/10[1] |
| Rolling Rock | [33] |
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the anthology received an average score of 65, based on six reviews, indicating "generally favorable reviews."[30] Margaret Wappler of Los Angeles Times rated the album three stars out of five and noted the Kelly Clarkson influences, writing that "For the bulk of the album, Lovato channels a witty, pouty ingenue in high heels who's not agape to phone call the shots, especially subsequently a good cry."[27] Rating the anthology three and a half stars, Stephen Thomas Erlewine of Allmusic noted the album'due south "mature veneer" and the "subtle shift buried underneath the relentlessly cheerful Radio Disney production and Lovato's irrepressible spunk", writing that "Both sonic characteristics tend to cover-up Demi'due south biggest moves away from teen pop."[3] Erlewine called the album "Not quite as much fun [equally Don't Forget], simply still fun".[3] The Arizona Commonwealth critic Ed Masley gave the album 3 and a half stars and recommended it for power pop fans.[31]
Entertainment Weekly 'south Simon Vozick-Levinson graded the anthology B− and praised the "hard-edged" tracks such as "Got Dynamite", calling them suggestions of "a direction that might ready [them] apart in years to come up".[22] Houston Relate critic Joey Guerra rated the anthology 3 stars and wrote: "Despite the Disney machine's presence, Hither We Go Again doesn't rely too heavily on 'tween trends, instead relying on Lovato'due south penchant for rock-drama and teaming [them] with a slew of older, established acts."[26] Kerri Mason of Billboard praised the album for not relying heavily on production and Auto-Tune, calling Lovato "a natural talent who could really take flight after outgrowing Disney".[28] Bricklayer wrote that the album includes "repose surprises" and potential hits, particularly praising the title rail and "Catch Me".[28] Jeff Miers from The Buffalo News rated Here We Go Again two and a half stars out of four, writing: "Unlike and then many of [their] Disney-fied peers, Lovato can really sing, and function of what makes [their] sophomore endeavour appealing is the lack of in-studio vocal manipulation."[32] Miers wrote that it is "refreshing" that Lovato does not demand Motorcar-Tune "to mask any lack of natural power".[32] He ended by calling the album "safe and pretty predictable, but besides incredibly catchy".[32]
Allison Stewart of The Washington Post referred the album to every bit a "smart, bristly, busy sophomore disc", writing that "Too much of information technology apes Avril Lavigne, with the standard shouted choruses and hiccupped verses that are beginning to audio very '03."[23] Stewart named "Every Time You Lie" and "World of Chances" equally "direction signs pointing to a much more interesting career".[23] Awarding the album five out of x points, Cody Miller of PopMatters was mixed in his review and said that Lovato "badly wants to be Kelly Clarkson", writing "Lovato can't work miracles with mediocre pop songs like Clarkson, but the immature singer-actress has a bigger range than whatsoever of [their] contemporaries, and a better sense of on-tape charisma."[one] Miller was mixed regarding anthology's content, saying that "there's nothing that really separates the tracks from each other. Most of the anthology's upwardly-tempo numbers just blend together."[1] He concluded his review: "Here Nosotros Go Again isn't perfect by any means, and when compared to someone like Clarkson or Pink, information technology's obvious the immature singer has lots of work ahead of [them] if [they want] to truly cement [themselves] as a serious, viable pop/rock artist outside of the Disney mold. But given the context, Hither We Go Again is certainly enjoyable to some scale."[ane] Rolling Rock gave the album 3 stars out of five, maxim "Lovato has chops and spunk akin to a fellow Texas pop singer, though [their] voice doesn't churn with Kelly Clarkson'southward gutsy centre even so."[33]
Commercial functioning [edit]
Lovato performing "Catch Me" during A Special Night with Demi Lovato
In the U.s.a., Here We Go Again debuted at number one on the Billboard 200 nautical chart with 108,000 copies sold in its first week.[34] The effigy was an improvement over the outset-week sales of Don't Forget, which moved 89,000 copies.[34] The feat fabricated Hither Nosotros Become Again the fourth album of 2009 under the Disney Music Group to peak at number ane.[34] In its 2nd week, the album fell to number eight with 39,000 copies sold.[35] At the cease of 2009, the anthology ranked at number 109 on Billboard 'south year-stop chart.[36] As of July 2014, the album has sold 496,000 copies in the US according to Billboard.[37]
In Canada, the anthology entered the Canadian Albums Chart at number v,[38] and stayed on the nautical chart for 5 weeks.[39]
In Australia, the album spent one week at number twoscore on the ARIA Albums Chart.[40] In New Zealand, information technology debuted at number ten and spent a total of 9 weeks on the chart.[41] In Mexico, Hither We Go Again debuted at number 45 on the Pinnacle 100 Mexico nautical chart and reached its peak position of 25 in its second week.[42] Across Europe, the anthology debuted at number 36 in Greece and later reached number five.[43] In Espana, the album spent thirteen weeks on the chart and peaked at number 35.[44] In early on 2010, Hither We Go Once again made its debut at number 199 on the Britain Albums Nautical chart,[45] and number 141 on the Oricon albums chart in Japan.[46] In Oct 2011, the anthology debuted and peaked at number 88 on the Ultratop chart in the Flanders region of Belgium.[47]
Promotion [edit]
Lovato performing the title track during A Special Night with Demi Lovato
Radio Disney presented the world premiere of Here We Go Again on July 18, 2009, during the programming Planet Premiere, where Lovato was interviewed by host Ernest "Ernie D" Martinez.[48] The album was replayed on the station the adjacent 24-hour interval, and available for streaming on Radio Disney'southward website from July xviii through July 24, 2009.[48] On July 17, 2009, Lovato appeared on The This night Evidence with Conan O'Brien to perform the album'due south title track.[49] On July 23, they performed the single aslope the album cutting "Catch Me" on Practiced Morn America, while performing the unmarried only on Late Night with Jimmy Fallon and The View later the aforementioned day.[50] [51] To promote the album's United kingdom release, Lovato appeared on radio BBC Switch and logged into Habbo Hotel to conversation with their British fans in January 2010.[52] They afterwards performed "Remember Dec" on The Alan Titchmarsh Evidence on January 29, 2010.[52] They were as well interviewed on British tv programs such as Blue Peter, Daily Ready Chart Prove, Live from Studio 5, Freshly Squeezed and T4.[52]
To promote the album, Lovato embarked on their concert bout, Demi Lovato: Live in Concert. The tour began on June 21, 2009, in Hartford, Connecticut and previewed new songs from Here We Go Again, including "Remember December", "Finish the World" and "U Got Nothin' on Me".[53] It was confirmed on April fifteen, 2009, that David Archuleta would serve as the tour's opening act, with songstress Jordan Pruitt and girl group KSM joining on select dates.[54] Lovato announced the collaboration with Archuleta on their Myspace web log, where they also wrote, "I'm and then excited nearly headlining my own tour. I beloved life on the route. I'm in a different city every nighttime, and it never gets old."[54] Tickets for the tour went on sale on Apr 25, 2009, but a special pre-sale offer was made available through Lovato's newly launched official fan order on April fifteen.[55] The tour was produced past AEG Live and sponsored by AT&T and Choice Hotels.[56]
Singles [edit]
"Hither We Go Once more" was released as the album'southward lead unmarried on June 23, 2009, via digital download.[57] The song fabricated its debut at number 59 on the Billboard Hot 100 and managed to peak at number 15, condign Lovato's highest peaking solo single at the time.[58] Elsewhere, the song peaked at number 68 on the Canadian Hot 100 and 38 in New Zealand.[59] Disquisitional reception of the song was by and large positive, with critics comparing information technology to Kelly Clarkson.[1] [27] [28] The music video was directed by Brendan Malloy and Tim Wheeler.[60] The song has sold over 820,000 copies and was certified Platinum in the United States.[61]
"Call back December" was released on January xviii, 2010, only in Europe, as the second and last single from the anthology. It wasn't released in Due north America. The song peaked at number lxxx on the Uk Singles Nautical chart and received more often than not positive reviews from critics, who praised its hook and chorus.[1] [three] [62] "Remember December" was directed past Tim Wheeler and features guest appearances from Lovato's female co-stars in their upcoming television receiver film Campsite Rock 2: The Final Jam. Instead of having a honey interest in the video, Lovato chose to give information technology a girl empowerment theme, saying that it is near "existence fierce" and "taking control equally a girl".[24]
Runway list [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Here Nosotros Go Again" |
| SuperSpy | 3:46 |
| 2. | "Solo" |
| John Fields | three:xv |
| 3. | "U Got Nothin' on Me" |
| SuperSpy | 3:38 |
| 4. | "Falling Over Me" |
| Fields | four:06 |
| 5. | "Placidity" |
| Fields | ii:45 |
| 6. | "Grab Me" | Lovato | Fields | 3:10 |
| 7. | "Every Time You Lie" |
| Fields | three:49 |
| 8. | "Got Dynamite" |
| Clark | 3:25 |
| 9. | "Stop the World" |
| Fields | 3:34 |
| 10. | "World of Chances" |
| Fields | 2:51 |
| xi. | "Retrieve December" |
| Fields | three:12 |
| 12. | "Everything You're Not" |
| Fields | 3:43 |
| 13. | "Souvenir of a Friend" (Bonus Runway) |
|
| 3:25 |
| fourteen. | "And then Far, So Neat" (Bonus Track) |
|
| two:15 |
| Total length: | 46:50 | |||
| No. | Title | Author(s) | Producer(southward) | Length |
|---|---|---|---|---|
| xv. | "Don't Forget" |
|
| 3:43 |
| xvi. | "La La Land" |
|
| 3:16 |
| Total length: | 53:49 | |||
| No. | Title | Writer(southward) | {{{extra_column}}} | Length |
|---|---|---|---|---|
| 15. | "Here We Go Again" (Sunset in Ibiza Remix) |
| SuperSpy | 4:23 |
| No. | Title | Length |
|---|---|---|
| 16. | "Here We Go Over again" (music video) | |
| 17. | "Here We Become Again" (live performance at Wembley Arena) | |
| 18. | "Remember Dec" (music video) | |
| 19. | "Making of Remember December" |
| No. | Title | Length |
|---|---|---|
| one. | "La La Land" | |
| ii. | "Go Back" | |
| 3. | "Don't Forget" | |
| 4. | "Here Nosotros Go Again" | |
| v. | "Trainwreck" | |
| half dozen. | "Until You're Mine" | |
| vii. | "Two Worlds Collide" | |
| 8. | "Think December" | |
| ix. | "Party" |
Sampling credits
- "Got Dynamite" contains acoustic drum samples from Geoff Dugmore's "Savage Beats" from Nix-Thousand.[20]
Credits and personnel [edit]
Credits for Here We Go Again are adapted from the album's liner notes.[20]
- Demi Lovato – lead vocals, pianoforte, guitar
- Aris Archontis – producer, mixing
- Tommy Barbarella – synthesizer
- Michael Banal – drums, programming
- Ken Chastain – percussion, programming
- Daphne Chen – violin
- Lauren Chipman – viola
- Gary Clark – producer, instruments, programming
- Bob Clearmountain – mixing
- Mathew Cooker – cello
- Jason Coons – engineer
- Dorian Crozier – engineer, drums
- Andy Dodd – producer
- Richard Dodd – cello
- Geoff Dugmore – drums
- John Fields – producer, drums, bass guitar, keyboards, mixing, percussion, programming, background vocals
- Mher Filian – keyboards, programming
- Nikki Flores – groundwork vocals
- Eric Gorfain – violin
- Paul David Hager – mixing
- Isaac Hasson – programming, synthesizer
- Nick Jonas – guitars, drums, background vocals
- Chris Lord-Alge – mixing
- Stephen Lu – cord arranger, usher, cord
- Jeannie Lurie – producer
- John Mayer – guitars
- Jon McLaughlin – piano, synthesizer, background vocals
- Steven Miller – engineer
- Chen Neeman – producer
- Sheryl Nields – photography
- Will Owsley – guitar, synthesizer, background vocals
- Radu Pieptea – violin
- Wes Precourt – violin
- Lindy Robbins – background vocals
- David Sage – viola
- Simon Sampath-Kumar – engineer
- David Snow – creative direction
- SuperSpy – producers, engineers
- Gavin Taylor – fine art direction, design
- Jesse Owen Astin - Guitars
- Adam Watts – producer
Awards and nominations [edit]
| Year | Award | Category | Result |
|---|---|---|---|
| 2010 | Teen Option Awards | "Choice Popular Album" | Nominated |
Charts [edit]
Certifications [edit]
Release history [edit]
See also [edit]
- List of Billboard 200 number-one albums of 2009
References [edit]
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- ^ a b "Here We Become Over again Album Review". Plugged In. Archived from the original on Dec 23, 2015. Retrieved December 27, 2015.
- ^ a b c d e f g h i Erlewine, Stephen Thomas. "Here We Go Again – Demi Lovato". Allmusic. Rovi Corporation. Retrieved October nine, 2011.
- ^ "Demi Lovato". PopMatters. Archived from the original on Oct 7, 2015. Retrieved Baronial 29, 2015.
- ^ Lynch, Joe. "Solo Artists Who Scored a No. 1 Anthology Before Turning 18". Billboard . Retrieved May 23, 2021.
- ^ a b "Ask Billboard: Demi Lovato's Career Album & Song Sales". Billboard. Oct 15, 2017. Archived from the original on October fifteen, 2017. Retrieved Oct 15, 2017.
- ^ a b c d e f yard h i j Caramanica, Jon (July 15, 2009). "Tween Princess, Tweaked". The New York Times. Archived from the original on March 15, 2013. Retrieved October 9, 2011.
- ^ a b c d Moser, John J. (June 22, 2009). "Disney singing awareness Demi Lovato ready for new album, first bout equally headliner". The Victoria Advocate. Victoria Advocate Publishing Co. Archived from the original on Baronial eighteen, 2013. Retrieved July 20, 2011.
- ^ Donahue, Amy (June 15, 2008). "Jonas Brothers thrilling tweens". Reuters Group Limited. Archived from the original on October 21, 2012. Retrieved October ix, 2011.
- ^ Harris, Chris (August 28, 2008). "Demi Lovato Calls On Jonas Brothers For Help With Debut LP, Onstage Tumble". MTV News. Viacom. Archived from the original on December one, 2011. Retrieved October 9, 2011.
- ^ Harris, Chris (October 1, 2008). "Metallica Are #one For Third Week In A Row, As Decease Magnetic Nears Million-Sold Mark". MTV News. Viacom. Archived from the original on Nov vii, 2012. Retrieved Oct 9, 2011.
- ^ "Demi Lovato - Gilt & Platinum". Recording Industry Association of America. Archived from the original on January 7, 2016. Retrieved Jan 13, 2016.
- ^ a b Vena, Jocelyn (January 27, 2009). "Demi Lovato Looking To Accept 'John Mayer-ish' Songs On New Anthology". MTV News. Viacom. Archived from the original on August v, 2011. Retrieved October 9, 2011.
- ^ a b Reynolds, Chas (May 1, 2009). "Interview: Demi Lovato". Artistdirect. Rogue Digital. Archived from the original on Oct 29, 2013. Retrieved October ix, 2011.
- ^ a b c d east f g Farber, Jim (June 20, 2009). "Demi Lovato mellows out with 'Hither We Go Again'". New York Daily News. Mortimer Zuckerman. Archived from the original on June 26, 2009. Retrieved October 9, 2011.
- ^ a b c d eastward f Vena, Jocelyn (July 21, 2009). "Demi Lovato Gets Personal On Hither We Go Again". MTV News. Viacom. Archived from the original on December 22, 2011. Retrieved Oct 9, 2011.
- ^ a b "Demi Lovato shows mature side on new CD". The Repository. GateHouse Media. Associated Printing. July 29, 2009. Archived from the original on Baronial 8, 2009. Retrieved Dec 18, 2011.
- ^ a b c d e f Axelrod, Nick (July 1, 2009). "Tween Queen: The Rise of Demi Lovato". Women'southward Article of clothing Daily. Fairchild Fashion Grouping. Archived from the original on January 29, 2012. Retrieved October 10, 2011.
- ^ a b Kaufman, Amy (September 23, 2011). "Demi Lovato's rebirth". Los Angeles Times. Archived from the original on December 31, 2011. Retrieved October 8, 2011.
- ^ a b c Here Nosotros Get Once again (CD). Demi Lovato. Hollywood. 2009. D000349302.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b c d e f 1000 h i j one thousand Holz, Adam R. "Here Nosotros Go Once more". Plugged In. Focus on the Family unit. Archived from the original on April 4, 2012. Retrieved Oct 9, 2011.
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Source: https://en.wikipedia.org/wiki/Here_We_Go_Again_%28Demi_Lovato_album%29
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